Monday, 22 October 2012

Animation Project

Research and ideas for different animation techniques 

Gulp. The world's largest stop-motion animation set, shot on a Nokia N8.


The Making of Gulp.

Dot. The smallest stop-motion animation character shot on a Nokia N8
Both created by Sumo Science at Aardman.

Really in interested in this one.


MUTO a wall-painted animation by BLU.



Saturday, 20 October 2012

Animation Project

Idea for Artist.


Pauline Bewick

Born in 1935, now livng and working in Co.Kerry. She is a descendant of the 19th century wood engraving artist Thomas Bewick.
 Her two daughters Poppy and Holly Melia are also artist, the three have exhibited together a few times, and have each documented their travels together around the Polynesian islands 

Horses in the Sky

The movement and graphic quality in her work, i believe,will lend itself well in helping me create my animation
THE IRISH SWAN

I see alot of potential in these works.

 'Tao De Ching'

I can see story's in her work that i may be able to portray in my animation.


Travelling Exhibition / Seven Ages
.
This is my favorite piece of work by the artist, it is truly beautiful.
Lovers and Stars
2003 Aubusson tapestry wool and linin. 118" by 85"

Tuesday, 9 October 2012

Research and Presentation on Artist

William Kentridge


He is from South Africa, where most of his work is inspired by African political and cultural history. Kentridge his won wide acclaim for his deeply personal animated films that focus on the complex and often violent history of South Africa.

The first book i used to research William Kentridge, i got from collage and its called: William Kentridge; Museum of Contemporary Art, Chicago and the New Museum of Contemporary Art, New York.


William Kentridge, Tide Table
 I do not always understand his meaning or message behind his films but i enjoy them and i am awwed by the their process.


 Anything is possible, preview
This caught my eye!


My MindMap on William Kentridge.

The sequence at the bottom shows how he merges one image to another. Charcole, his chosen medium, lends its self well to this manipulation of the image, as it can be easily drawn over.